Few weeks back I made the lo-fi decision to switch to vinyl for music that is ‘most authentic’ and ‘relevant’ to my life (and will survive an EMP-attack should said attack occur over the good-ol’ US of A). So I bought myself a lovely green/white Crosley record player at Urban and picked up my very first record ever, Bon Iver’s self-titled (yet second album release), in fancy red vinyl.
I have to say, I could not have chosen a better first album. I had only heard of Bon Iver in passing before, and what struck me immediately was this delicate sweetness and mystery in Justin Vernon’s voice, echoing out and filling my room. There is an exquisite balance to the group’s harmonies, which create a grand feeling of depth and of soaring heights, not to mention I am drawn to anyone that uses french horns and a brass section. I’ve never heard anything quite like this before; a certain climax to a very good buying decision indeed.
The album art is perfect for this music. Designed by Gregory Euclide, it offers a visual tie-in to a sound that only watercolors and perhaps a cold morning in the mountains could describe. What’s better is the LP comes with a 11×11 print of a second painting by Euclide, a definite bonus for persons of the vinyl persuasion.
Another great find on iTunes. Justice‘s latest album Audio, Video, Disco. echoes with dark tonality and mysterious vocals. Civilization is my favorite of the lot, especially for it’s epic sound and a music video which pulses with running buffalos and crumbling Jesus statues. Did I say epic? The 17+ minute Planisphere is a real treat, featuring an endless array of heavy instrumentals and flourishes of electronic ambiance. Influences of medieval instrumentation mixed with 80s rock really adds to the distinct feel of this album. Worth a listen.
Anyone who knows me for very long will inevitably see me sporting Adidas Sambas. I am consistently enamored with this popular yet understated footballer shoe. I purchased my first pair over 6 years ago and they have been a mainstay in my ‘personal brand’ ever since. Introduced back in the 1950s, Sambas have changed little since which is important as I like to depend on a good shoe design sticking around for more than one season.
Left to Right, Oldest to Newest
Sambas represent a truth in good design: staying power. Robustly athletic, utilitarian and comfortable, always discrete and black with that noted brown rubber sole and high tongue. They appear slim and can be worn with skinny jeans as well as dress-casual work kakis. Whether at the gym or office, Sambas just fit and are an easy choice for my daily lifestyle.
My original pair
They also hold up remarkably well as I still wear my first pair to do dirty work around the house and yard. I particularly like how they age, their shape becoming more attractive over time. Few shoes look better at 6 years than when new. While other designs wax and wane with my tastes, Sambas have remained robustly current over my 6 year ownership. Now on my third pair, there is no question that I’ll be wearing this timeless design for years to come.
Y’all, I’ve finally created an Etsy shop and listed for-sale 2 paintings I completed this past weekend. I’m experimenting in abstract expressionism with drip paintings, and have discovered some interesting truths. I plan on creating a more in-depth post and/or page about my work but in-short, this will do to get the word out!
Check out my shop: etsy.com/shop/thndrus and maybe buy one of my paintings? Just sayin’
Imitation is the sincerest form of flattery, so the saying goes. But in execution, imitation is a drought of originality and when referring to creative works can be viewed as ‘cheap’, possessing no imputed essence from a designer rather a shadow of someone else’s work. Imitations almost certainly cut corners and lack a depth of understanding.
In the technology world, no company imputes more original ideas into their products than Apple. It seems life imitates art, in particular Apple’s art, when it comes to the various electronic devices we’ve come to love in the digital age. Even outside of computing, Apple’s aesthetic has been the tour de force in product design language. So it’s no wonder that themes and motifs first introduced by Apple, which have enjoyed great success among the faithful, get duplicated by other manufacturers and industries. Translucent plastics, glossy white shells, recessed keyboards, metal casings have all become en vogue because of Apple’s creative genius.
In the recently released Walter Isaacson biography, the late Steve Jobs was once presented with the question on whether Apple needed market focus groups. To this he replies that people don’t yet know what they want until Apple shows them. The persistence of Apple’s originality stream has been the lifeblood of the company ever since emerging from the brink of insolvency in the late nineties. With an almost oracle-like sensibility to the next ‘big thing’, Apple has continued to lead by pushing ideas that are far ahead of what anyone else has esteemed.
The horror! The whore!
Because of this, competitors are keen to figure out how to duplicate and cash in on Apple’s successes. Enter Samsung. Like other great Korean copy-cat companies such as pre-2010 car companies Hyundai and KIA, Samsung has done well with bastardizing Apple’s look and feel into it’s Galaxy lineup of Android smartphones and iPod-like devices. I was first made aware of this when I walked past a Best Buy shelf with iPod Touches and iPods lined-up next to Galaxy products. I actually stopped, looked at the boxes for the Galaxy and for a second thought it was an iPhone. Then, realizing the trick had been played, I frowned as my blood began to boil. Not only was the box the same dimension, but it was white with the same silvery typeface, the image of the Galaxy positioned exactly like the iPhone, even the beveling of the rectangles surrounding the capacity figures was imitated. Everything screamed Apple knock-off; a cheap, un-original attempt to screw unknowing customers into purchasing. I was highly offended and promptly tweeted about it before leaving the isle.
What really makes this damning is the fact that Samsung is presently engaged in an all-out assault on Apple in court systems around the world, trying to prevent the sale and distribution of devices that it claims infringe on it’s own patents. What I saw was not just a copy, but a beckoning taunt at Apple saying ‘come on, sue us.’ In the end however, as much as Samsung would like to duplicate Apple’s success, they will fail because ideas, good ideas, are a priceless commodity and you either have them or you don’t.
[Ad from Samsung poking fun at Apple's loyal customer base. Jealous much?]
In his biography, Jobs speaks about the realization of ‘the company’ as the most robust and powerful entity for creativity. With sufficient funding, and the right people, art can abound at unprecedented levels not seen in previous generations. Apple is one of the few companies that understands how genuine design and the power of original ideas can unleash creative potential and push humanity forward. They understand that their products must impute essence, embody simplicity, and generate integrated authenticity in a world that is full of half-baked attempts and underachieving products.
I can put up with bad design, but imitations anger me. If other companies would create genuine products that inspire, they too could affect positive change that benefits all of us. There is just something about using a product that is made well, that has purpose and essence, that knows it’s place, that’s confident in it’s design, that’s original. These intangible properties are what drives good design and pushes creativity forward.
This is one of my most beloved pieces from IKEA. The Orgel lamp is not only dirt cheap ($10!) but is packaged with such brilliance that you can’t help but admire it. The boxes form an inter-locking double L so as to stack twice as many lamps on to a pallet thus lessening the cost and environmental footprint. Genius! It screams good taste while appearing much more expensive than it actually is.
I found M83′s latest ‘Hurry Up, We’re Dreaming’ by accident a couple weeks ago and after a few previews I decided that it’s definitely my taste. What I didn’t expect is this amazingly smooth and entrancing kaleidoscope of sounds, each track moving you from one daydream to the next. At once complex and mesmerizing, it has been on repeat ever since. Worth the moola my friends.
So I’m starting my foray into musik/art/whatever blogging by posting the best mixes from the most bomb group I’ve ever stumbled upon on this here internets. The Twelves are calling from Brazil, and have produced some of the best 30+ minute mixes in the business. Episode II is my personal fav. Perfect music for jamming to while driving down a dazzling club scene boulevard with neon lights and lots of shiny people/things. Love the atmosphere they create, and their genius blending of content. Amazing. Even though these tracks are a couple years old, they still find time on my iPhone constantly.
I swear sometimes verizon switches the wrong calls to our phoneline. "oh so this is not citibank?" in a word, NO.
13 hours ago
"Your direction has become a bit 'darker', I would say raw, realistic, figurative. I feel like you're saying more than you're letting on."
16 hours ago
i really really really dislike instagram filters.
17 hours ago